life, poetry, Uncategorized, writing

Quarantine: The Ultimate Family Fellowship

architecture clouds daylight driveway
Not my house, but makes the point. Photo by Pixabay on Pexels.com

Earlier this year, I wrote about my “travel fast,” explaining how 2020 would be a year in which I would abstain from literary workshops, conferences, seminars, or retreats. My plan has been (and continues to be) allowing connection with my family to motivate and inspire new writing. Well, God sure has an interesting sense of humor:

“What’s that, son? You want to spend more time with your family? POOF! Here you go. I will enable you to work from home, school your sons at home, worship at home, give poetry workshops from home, exercise at home, and….let’s see…pretty much anything else you want to do — it’s going to have to happen within the four walls of your house. You’re welcome.”

Lest anyone think I’m making light of coronavirus, let me say that I’m not. I know that people are dying. I know that many are ill in ways they’ve never been before. And I know that a global pandemic is nothing to laugh about. We in the US are blessed to have largely first-world concerns that sound an awful lot like whining to those less fortunate. That being said, the situations we find ourselves in as locked-down Americans deserve a moment or two of levity.

Thus far, my boys, my wife, and I have: 1.) Put together jigsaw puzzles, 2.) Played countless rounds of Uno, Life, Monopoly, and Trivial Pursuit, 3.) Gone for hikes in the remote area near the creek, 4.) Ridden our bikes a couple of miles a day, and 5.) attended “online church,” an experience that has really expanded our definition of “sacred.”

But throughout all this, the discoveries we’ve made have been meaningful: My oldest son, a budding TikTok celebrity whose following is somewhere around 45,000, has been entertaining us with his theatrical abilities. He randomly performs stand-up routines, imitations, and monologues. My youngest son, the future architect/lawyer/billionaire, has been learning to code and has had extensive video conversations with his favorite cousin who shares much of his personality and interests. These two have their own “secret detective agency” and hatch plans via Facetime. Much of their dialogue has been inspired by the book series The Mysterious Benedict Society.

The hero during our isolation has been my wife: A healthcare worker, she goes to her clinic day after day, exposing herself to potential infection so that people can receive the care they need, now and anytime. When she returns in the evenings, she immediately showers and sanitizes to protect all of us. About a week ago, a known COVID-19 infected patient coughed near her. We’ve been watching and waiting ever since. Nothing so far, thankfully, but…the risk is always there. To exacerbate her situation, she’s also recovering from surgery that she had about three weeks ago. Without going into graphic detail, the operation was moderately invasive. Nonetheless, she presses on. She is our resident saint and our honored queen.

Our afternoons have been the most remarkable feature of this weird time: I’ve been reading Ray Bradbury’s Fahrenheit 451 with the boys. We each have a copy of the text, and via Audible, we have Tim Robbins reading the book to us. We follow along, pause to discuss and reflect, and analyze the book’s characters, plot, tone, and other details. Supplementing this study, we’ve watched old episodes of Ray Bradbury Theater, a t.v. show based upon the great author’s exhilarating short stories (see YouTube). The boys find commonalities between the novel we’ve been reading and the smaller bite-sized narratives on screen. This has given rise to discussions of our present society and culture, as one might imagine. It’s also allowed us to practice some amateur psychology on the characters Bradbury invented. My oldest son developed a five-step treatment plan for Mildred (Montag’s wife in the novel), for example.

Will this quarantine generate poems? Probably. I don’t plan to write about all the kinds of things that have occurred to so many others — how this moment demonstrates our universal humanity, how politics are utterly futile in times like these, how the family unit remains the foundation of our society. These big ideas, while true, will undoubtedly be overdone, and frankly, poems that are written with an agenda in mind rarely succeed as art.

No, my poems that will spring from this strange point in history will probably dwell upon subjects like those I mentioned before — the heroism of my wife, the creativity of my sons, the little day-to-day tasks and events that are breaks from our non-coronavirus life routines. Crisis, despite its horrors, is a rescue from the mundane. It shakes us from our civilized, programmed, humdrum existences into realization of our human fragility. For all of us, this epiphany has been, perhaps, the most monumental lesson.

I never intended for this blog entry to become a gratitude journal, and yet, as I look back over it,  it certainly has leaned in that direction. There’s much to be thankful for, and that’s undoubtedly another lesson of this period. As we inhabit the most intimate spaces of our lives with those we hold closest, we re-learn the value of connection. We are reminded that, if everything else perished, our interpersonal bonds would matter most. Hold your dear ones tight, embrace the temporary inconveniences, and soon enough, we will all look back on this historical hiccup a little wiser, a little better.

life, Uncategorized

A new house, a hurricane, and a normal sunrise

image As I sit here with my French-pressed morning coffee, I look across our little neighborhood pond and I’m thankful for an ordinary dawn. My wife, my sons, and I have now been in our new home roughly a month, and during that month, we have had the unique opportunity to survive Hurricane Irma.

Predictions were all over the place, but as it turned out, our new home near Tampa was spared the brunt of the storm. Instead, it turned east, striking my former city of residence with an angry ferocity not seen since Hurricane Donna. My previous home was undamaged as well, fortunately, and all my central Florida family members weathered the event without much ado: a few branches were downed, foliage was blown all over the place, but their homes and their lives were spared. We are grateful.

Our new home lost power for about two days, and we all became reintroduced to such preservative-laden delicacies as Vienna sausage, which, for the uninitiated, is essentially the leftover parts of varying animals rolled into a slick, flesh-colored casing and stuffed into a tiny can. It is, perhaps, the closest thing to Soylent Green that I’ll ever eat.

Without power, the grill became our friend as well, barbecuing the wholesale-club sleeves of burgers we had frozen for a large family dinner. No freezer meant that all that cow was going to go bad, so it was charcoal to the rescue. I felt sort of bad grilling all that delicious ground beef because I have Hindu neighbors. There they were: no electricity, and having to smell the meaty (offensive?) aroma of medium-well survival patties. What’s an old country boy to do?

At last, power has been restored, life has returned to normal, and I’m once again able to enjoy the first-world luxuries of air conditioning, hot water, and a civilized kitchen. Our little foray into apocalyptic living is over, for now. But as Jose churns in the Atlantic, I think I’ll see if Sam’s has mega-packs of veggie burgers, just in case.

poetry, Uncategorized

Poets: Keeping the “human” in humanities

One thing I really like about being in the world of poetry is this: Even though a lot of poets are very well-known and have celebrity-like status in the literary realm, most of the time they remain very approachable on a personal level. Take, for instance, C.K. Williams. Now here’s a guy who has won major awards, published well-received books, seen his name in major magazines, and taught in prestigious locations all over the world. And yet, when encounters a fan of his work (like yours truly), he’s not so stuffy and pretentious that he won’t add you on Facebook. Little things like that are huge, especially to up-and-comers like me — the fact that “big name poets” (see previous entries) would associate themselves with rank newbies is a testament to their humanity and humility.

Certainly, there exist those writers who perceive themselves as so high and mighty that they would not dare set foot off of their cloud of condescencion, but from my experience, those individuals are few and far between, and most poets have a pretty fair assessment of their own status: Their limited fame that comes from the academic and erudite set is a nice commodity, but it’s not like the National Enquirer is going to send paparazzi after a poet laureate anytime soon.

I suppose the lesson in all this is one in the basic tenets of courtesy: Even when you have achieved Pulitzers and Pushcarts, even when the Atlantic Monthly and the New Yorker simultaneously publish your work, and even when your book sells its first million copies, you, poet, still have the obligation to remain personable. The example set by our predecessors is a positive one, and we have the obligation to uphold it.