While browsing the local library nearest my university the other day, I stumbled across one of my books neatly tucked between other collections of poetry by some very well-known names in the literary realm. I’ve always been honored to see my work juxtaposed with that of “name-brand” poets, and I’ve even caught myself saying in those brief author’s bios that lit mags make you write: “His work has been published alongside that of [well-known literary icon] in [equally well-known literary journal].” I’m going to stop doing that, and here’s why:
I’ve been around the poetry game long enough. I don’t have to “prop my work up” by saying it appeared with the poetry of somebody who receives hefty advances or well-publicized appearances. Maybe that sounds a little arrogant, even bitter, but it’s time to let my words and my craft stand on their own two feet.
Comparisons will always be inevitable — some critics have said my work reminds them of The Fugitives, while others have drawn lines to other various modernists or formalists, and that’s okay. I don’t mind being called “The Southern Robert Frost,” for example. That’s high praise.
But I feel compelled to stop invoking the names of people who have already had their turn at bat (and in most cases, hit it out of the park). It smacks of pretension and literary snobbery at its worst, and truthfully, if I saw someone else do it, I’d be very critical. “Well LA-DEE-DA, so-and-so…Your work has ‘appeared’ beside someone else important. Big frickin’ deal.” It diminishes the credibility of the writer rather than scaffolding it. So it needs to stop, no matter how much I may admire other poet(s).
Not too terribly long ago, I stopped mentioning (in my author’s bio) my multiple Pushcart Prize nominations for this same reason. Stick around poetry long enough and write decent poems, and sooner or later, you’re bound to get a few. It’s a big deal the first time it happens — I remember the great celebration at our home when the first journal to nominate me, Deep South magazine, spread the news. But unless and until I actually win one, it’s kind of like telling people that my next-door neighbor is a movie star. I’ve had enough of hedging greatness.
My poems need to live on their own merits and be judged by their own characteristics, positive or negative. Not everybody is going to enjoy my style, but at least they won’t be conflating it with that of someone who has long since paid their dues. It’s time to stop trespassing on others’ good names. Let it begin today.
As I sit here with my French-pressed morning coffee, I look across our little neighborhood pond and I’m thankful for an ordinary dawn. My wife, my sons, and I have now been in our new home roughly a month, and during that month, we have had the unique opportunity to survive Hurricane Irma.
In one week, I will be launching my latest collection,
So many of my friends have been cheering on the parting of 2016, thankful that it is about to fade into oblivion. As these last few hours tick by, I can’t believe I’m actually feeling sorry for a year in history. But 2016 has elicited that response from me, strangely enough. I feel that 2016 has been like that unpopular kid in class that everybody liked to pick on: easy prey because of difference. I, for one, kind of enjoyed 2016 — not necessarily for political or cultural reasons, but for its more personal milestones:
Allow me to begin by saying I’m no numerologist. I do believe, however, that one day, we will all understand why the numbers in our lives intermingle and coordinate the way they do. I also believe that this overlap of figures is more than just mathematical. There is a purpose to the numbers, and it’s not just coincidental.
